Sometimes the wall you want to light is the wall the projector is bolted to.
The Infinity ExtendArm is a full commercial outdoor gobo projector — 35W to 120W, IP65, two free full-color custom gobos — carried on an extension arm that holds it clear of its own mounting surface. That single change opens up the positions a flush-mounted fixture simply cannot serve. It projects in spin or static, switched on the remote.
From $358.88, shipped free worldwide.
Static holds the projection completely still — the setting for a logo, an address, a room name or a safety message, and the one most commercial sites run permanently. Spin turns it slowly, which suits patterns, seasonal artwork and anywhere movement is the point. Change it whenever you want from the remote.
Three problems it solves, and they come up constantly:
If you do not need that reach, the Infinity FlexMount is the same projector on a low-profile swivel base — tidier, closer to the wall, and easier to re-aim.
The arm changes where the projector sits, not how the optics behave: lens number × distance = image width. On the standard 1:0.33 lens, ten feet of throw gives a 3.3 ft projection. (The industry writes that as a 3.0:1 throw ratio.)
One thing worth measuring properly: on an extension arm, the distance that matters is from the lens to the surface — not from the wall the bracket is bolted to. The arm can easily account for several feet, and on a short throw that is the difference between the size you planned and the size you get. Measure from where the projector will actually end up.
Suggested starting points: a facade projection turning back onto the building usually sits at 15–25 ft with the standard lens for a 5–8 ft graphic. A ground projection reaching out over paving is often better on the 1:0.65 or 1:1.0, because the arm cannot buy you much distance. Send the measurements and we will confirm it.
Keep the aim within about 30 degrees of perpendicular to the surface. Beyond that, one side of the projection stretches and straight lines start to lean.
This deserves extra attention on an ExtendArm install, because the arm is often used precisely to create an angle — reaching out and turning back onto a facade, or down onto paving. That is exactly the geometry that runs past 30 degrees without anyone noticing until the light is on. Plan the reach and the aim together, and where the angle genuinely cannot be avoided, keystone correction squares the projection up again.
The surface's existing light decides the wattage; the lens decides the size. These two are independent and people mix them up constantly.
Facade work in particular tends to need more than people expect, because the building is often already lit. Check yours with the Wattage Finder, or send us a photo of the site after dark and we will tell you.
Two custom full-color gobos are included free with every ExtendArm, made from your artwork — a logo file, a sign file, or a photograph of signage you already have. Our team prepares it at no charge and sends a proof first. Order more any time, or start from the stock collection.
Chosen here, before checkout:
An arm changes what the building can do. Reach out from a corner and put the logo across the face of the entrance itself, where there is no wall opposite to project from. Come over a canopy and land the graphic on the paving right where people queue. Fix one above a doorway, turn it back on the lintel, and light the one surface everybody looks at on the way in.
Freight is included free to just about anywhere in the world. Multi-site or multi-building work is quoted as a project — send the elevations and mounting positions through the quote form. For smaller combinations, Mix Match & Save is the quicker route.
Yes. Every unit is manufactured with a wide-voltage input of 110–240V AC, so it runs on standard US 120V mains straight out of the box — and on 220–240V anywhere else in the world without a converter. If you have seen figures like 24–36V or 165–265V on a spec sheet, those describe the driver's internal DC output, not the voltage at your wall.
Reach. It holds the projector clear of its own mounting surface, so the fixture can turn back and project onto the wall it is bolted to, clear a gutter or canopy that would clip the beam, or get out over paving for a cleaner ground projection.
Direction. The ExtendArm pushes the projector away from the surface; the FlexMount keeps it against the surface on a swivel base that is easy to re-aim. Same engine, same wattages, same lenses, same two free gobos.
Only by changing the distance — and that catches people out. Measure from the lens to the surface, not from the wall the bracket is on. The arm can account for several feet, which matters on a short throw.
Both, on the remote. Static holds it completely still for a logo or message; spin turns it slowly for patterns and seasonal artwork.
Within about 30 degrees of straight-on. Watch this one closely on an ExtendArm, because the arm is often used to create an angle in the first place — reaching out and turning back onto a facade is exactly the geometry that drifts past 30 degrees. Keystone correction covers positions where the angle is fixed.
Usually more than expected, because facades are often already lit. 65–90W suits a typical lit elevation; 110–120W for a building washed with architectural lighting or a large projection. Send a photo of the site after dark and we will tell you outright.
Work back from the size: distance = image width ÷ lens number. An 8 ft graphic on the standard 1:0.33 lens needs about 24 ft of throw — measured from the lens, arm included.
Two, free, in full color, cut from your own artwork with a proof beforehand.
Yes — IP65, rated from −20°C to 60°C (−4°F to 140°F), and built for 8–10 hours of commercial running a day.
Yes, with a prism lens. The TriScope ∞ gives three projections from one gobo and the PentaScope ∞ gives five. The light divides between them, so step the wattage up — noticeably so for the PentaScope.
1–2 weeks including your custom gobos, with free worldwide shipping.
Buildings are covered in surfaces nobody can sign — the facade above the door, the paving at the entrance, the wall you cannot stand in front of. An arm reaches them, and light does the rest with nothing screwed to the surface itself. Join The Projection Revolution ∞
Source: Infinity Projectors manufacturer specification sheet. Recommended daily duty cycle is not separately spec\'d by the manufacturer for this line — the LED engine is rated for continuous operation over its listed life.
Yes. Most projectors include a focus adjustment. You may need to fine-tune focus during setup to achieve the sharpest image.
Yes, they have cooling fans, but the sound is minimal and not disruptive in most environments.
Most projectors ship and arrive within 1–2 weeks. Certain models or larger orders may take 2–4 weeks.
No. Due to shipping restrictions, batteries are not included. Please purchase the appropriate batteries locally. Most projector remotes require 23A 12V batteries. You may purchase those batteries here.
No. Projectors do not include timers, but clients often add external timers if needed.
We can make the artwork smaller in the gobo slide or provide a smaller lens (like 1:0.5). This ensures the image doesn’t exceed your desired size.
Yes. Infinity Projectors provides free art setup. Send us your logo, concept, or even rough sketches, and we’ll prepare your gobo design.
Yes. Rentals are available, typically at 40–50% of the purchase price. However, we recommend buying for better long term value.
Yes. High wattage projectors are built for larger spaces and longer distances. They spread light over wider areas while maintaining clarity.
Yes, but this may shorten its lifespan. Projectors are rated for about 8 hours of daily use. Extended runtimes should be used sparingly or with models built for continuous use.
Projecting onto tall buildings can be challenging if there isn’t a mounting point across from the surface. Angles beyond 25–30° distort logos. Alternate setups or additional planning may be required.
Yes. We’re always happy to help guide clients through setup, including projector placement, angles, and lens selection. Our support team can walk you through the process.
See our mounting guide for poles, walls, ceilings and ledges, with close-up diagrams and real install photos.
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