Eight patterns loaded at once, in one projector, running in static mode — so every projection lands straight, square and right way up, every single cycle. Let it rotate through all eight automatically, changing on its own while nobody touches it, or use the remote to hold any one projection for as long as you want. That's a full season, a full sponsor roster, or a week of different messages loaded into a single fixture that nobody has to climb a ladder to service. From $1,138.88, in eleven wattages from 80W to 700W, IP65 rated for permanent outdoor use — and all eight full-color custom gobos are included free, made from your own artwork.
This is the top of our multi-gobo range. If you have ever loaded four patterns and immediately wished you had more, this is the projector that stops the compromise. No sign to fabricate, no reprinting when the message changes, nothing bolted to the wall. Just eight pieces of your brand in light, on a surface you already own. Join The Projection Revolution ∞
A full sponsor roster on one wall. Eight sponsors, equal time each, no swapping between them. For arenas, stadiums, clubs, festival grounds and anyone selling a facade, eight is the number where a wall stops being decoration and becomes a real piece of inventory you can price.
A season loaded once. Eight slots covers a logo, store hours, two promotions, two seasonal patterns, a thank-you and a spare — set up once and left alone for months. The customers who buy eight are usually the ones who got tired of scheduling a maintenance visit every time the message needed to change.
Where eight beats six. If you are already running a real content calendar and find yourself deciding which message to drop, that is the signal. Eight is also what venues land on after outgrowing a four- or six-slot unit on their busiest surface.
The 8-gobo comes as two separate projectors: 8 Gobo Static (this one) and 8 Gobo Spin. This is the single most important decision on this page, because it is not a mode you toggle — it is how the machine is built. You pick one at purchase and it stays that way. Choosing wrong means buying the other projector.
In static mode the projector holds each pattern still, then moves cleanly to the next one. The projection does not rotate, and it does not drift. That matters more than it sounds: a logo that lands square on cycle one lands square on cycle four hundred, at three in the morning, with nobody watching.
This is the one you want for logos, sponsor marks, wordmarks, safety messaging, store hours, directional arrows and anything with text in it. Anything a customer is meant to read, or that carries somebody's brand, belongs on the static unit. A sponsor who paid for a placement expects to see their logo upright.
The 8 Gobo Spin shows a projection, rotates it, then moves to the next. It's genuinely beautiful for decorative work — snowflakes, stars, leaves, abstract holiday patterns, festival art.
Here is what nobody tells you: because each projection is rotating, it does not come back around to the same place. The second time a pattern appears it is sitting at a different angle — not straight. For a snowflake that is fine, and arguably better. For a sponsor's logo it looks like a mistake, and you will hear about it.
So: scenic and decorative → spin. Logos, sponsors and anything with words → static. If you are not sure, buy static — it is the safe choice, and it is what most of our customers order.
One more thing worth stating plainly, because it comes up constantly: a static projector holds every design still. Holding a single projection on a static unit is normal operation; making it rotate is not something the machine can do. The two are different hardware.
This is the easiest math in the whole category, and it is worth learning because it decides which lens you order. Multiply the lens number by your distance and that is your image width.
The 0.33 lens makes a 3.3-foot image from 10 feet away. The same lens makes a 33-foot image from 100 feet away. That's all there is to it.
This model ships with the 1:0.25 as its standard lens — a tighter, brighter default that suits the longer distances most eight-slot installs run at. (In the industry this is written as a throw ratio, "4.0:1"; the multiplier above is the same fact, stated in a way you can actually use.)
Working backwards is just as easy: distance = image width ÷ lens. If you want a 20-foot logo and you have the standard 0.25 lens, mount it 80 feet back.
The lens it ships with is sized for the install you describe to us, and for a permanent mount that is the end of it.
Take a set if this projector is going to earn its keep in more than one place. Eight-slot units get moved to whichever surface matters most this quarter, and every surface sits at a different distance. Carrying two or three lenses means one projector covers all of them — changing the lens resizes the projection in about a minute. The lens guide lays out what each gives you at range.
Aim as close to straight-on as the site allows. Past roughly 30 degrees off perpendicular the projection stretches into a keystone shape — far edge wider than the near edge. Within 30 degrees it reads as square. On a tall wall the answer is almost always to mount further back rather than steeper, which the tighter standard lens on this model suits well. keystone correction covers the cases where the building leaves you no choice.
Wattage does not control the size of the projection. The lens does. What wattage buys you is the ability to out-shine the light already on the surface, and that is entirely a property of the site, not the projector.
The same 300W unit is overkill on an unlit loading bay and marginal on a floodlit stadium concourse. Judge the wall, at night, with the lights that will actually be on.
The Wattage Finder takes distance, target size and light level and returns the wattage and lens to order. On an eight-slot unit it is worth the minute — this is the expensive end of the range to get wrong.
Every one of these projectors ships with all eight custom full-color gobos included free, made from your own artwork. You are not buying an empty projector and then paying to fill the slots. Order more whenever the message changes.
The gobo itself is a small glass disc carrying your artwork, and its size depends on the wattage you order — this catches people out when they reorder, so it is worth knowing which one you have:
If you are ever unsure, tell us the model number on the fixture and we will confirm it before you order anything.
Eight is where people start worrying about design costs. There aren't any. Send the logo files, sign artwork or photographs you already have and our team prepares all eight for projection, free, with a proof for each before production.
Most eight-slot customers mix sources: a few brand marks of their own, a few from the stock collection, and one or two built from scratch in the Gobo Designer.
Eight-slot projectors go to venues, not living rooms, and venues are everywhere. We have sent these to stadiums in Europe, resorts across Southeast Asia, municipalities in Canada and event companies in the Middle East. Freight is included to just about every destination, and the unit runs on local power without an adapter. If you are somewhere we have not reached yet, ask — we almost certainly can.
We also make the Infinity KaleidoScope range, which loads the same four, six or eight patterns but adds a prism that multiplies each one into repeated, mirrored projections. It's built for atmosphere rather than legibility — beautiful across a ceiling or a large wall, and the wrong tool for a sponsor's logo, because the prism repeats and skews the artwork by design. Both prism lenses are included free. See the multi-gobo range if that sounds closer to what you want.
Eight is the largest configuration we make, but it isn't the only one. Two questions decide which unit you want: how many projections do you need loaded at once, and do they need to land straight (static) or is this decorative motion (spin)? Remember that static and spin are separate machines — you pick one at purchase and it stays that way.
We also build dual lens units, and single-lens projectors all the way up to 1500W, including a 1500W four-lens machine, so you never trade distance for the number of patterns. If you need real reach, look at the Infinity Titan.
Nobody outfits an arena one projector at a time. For multi-unit installations, chain rollouts and anything with a real deployment schedule, send the details through the quote form — unit count, sites, what is being projected — and we will put together pricing built for the size of the job.
Mix Match & Save handles the smaller end: combine projectors, gobos and lenses and the discount applies as the order grows.
Eleven wattages, five lens options and your choice of artwork. Pick the wattage for the light level, the lens for the size, and send us eight patterns.
Most people load eight versions of one logo and stop. The customers who get real value out of an eight-slot projector treat the slots as eight separate jobs:
Walk your property after dark and find the surface nobody uses — then work out which message goes up first, and which seven follow it.
Yes. Every unit is manufactured with a wide-voltage input of 110–240V AC, so it runs on standard US 120V mains straight out of the box — and on 220–240V anywhere else in the world without a converter. If you have seen figures like 24–36V or 165–265V on a spec sheet, those describe the driver's internal DC output, not the voltage at your wall.
Two ways, and you can use both. Let it rotate through all eight automatically, changing on its own with nobody touching it. Or press 1 through 8 on the included remote to hold one specific projection for as long as you like. Most customers auto-cycle day to day and switch to a single logo for an event or a visit.
All eight, free. Every multi-gobo projector ships with a full set of custom full-color gobos made from your own artwork — four with a 4-gobo unit, six with a 6-gobo, eight with this one. You are not buying an empty projector and then paying to fill the slots. Order more any time when the message changes.
Static holds each projection still and lands it straight every cycle. Spin rotates each projection while it's showing, which looks beautiful on scenic artwork but means a logo comes back around at a different angle rather than upright. Static for logos, sponsors and anything with text; spin for decorative and holiday work.
No. Static and spin are separate machines, not two settings on the same one. You choose at purchase and it stays that way. Holding one projection on a static unit is normal — but making it rotate isn't something the hardware can do. If you want rotation, order the 8 Gobo Spin.
Four covers most businesses. Six is the step up for a real content calendar or several sponsor slots. Eight — this one — is for a whole season or a complete roster loaded once and left alone. Four and eight come in both static and spin; six is static only.
Multiply the lens number by the distance. The standard 1:0.25 lens gives a 2.5-foot image from 10 feet, 12.5 feet from 50 feet, and 25 feet from 100 feet. To work backwards, divide the width you want by the lens number to get the distance.
Start from the size you want and the distance you have. Most eight-slot installs run long distances, which is why 1:0.25 is standard here. If you need a much larger image from the same spot, go to 0.33 or 0.65. Run it through the Wattage Finder or send us the numbers and we'll confirm it.
It depends on how much light is already on the surface, not on the image size. Dim and close: 80–150W. Typical lit exterior: 160–300W. Bright competing light or a large projection: 400–700W. The Wattage Finder answers this properly in about a minute.
Yes. Every wattage is IP65 with an aluminum alloy housing, built to be installed once and left through rain, snow and heat.
−20°C to 60°C (−4°F to 140°F). That covers hard winters and hot industrial interiors alike.
37 mm on 80W through 160W, and 54 mm on 200W through 700W. It's the most common reorder mistake, so tell us your model number and we'll confirm before anything is made.
No. Send a logo file, a photo of a sign, or a business card — our team prepares it for projection at no extra cost and you approve a proof before anything is made.
Yes. Order new gobos any time and swap them in. That's the whole point of the format — the fixture stays, the message changes.
30,000 hours. Run six hours a night, that's over thirteen years.
Distance is set by the wattage and the light in the area, not by a hard limit. Higher wattages carry much further. Stay within about 30 degrees of perpendicular to keep the projection square, and mount further back rather than steeper on tall walls.
Yes, every unit includes one. It selects gobos 1 through 8 directly and starts the auto-cycle. Ask us for the current button layout on the wattage you're ordering — it varies across the range.
That's one of the most common uses. Eight sponsors, one wall, equal time each, and the set changes whenever you re-sell it. The same surface earns eight times what a printed sign would, and swapping a sponsor out means a new gobo rather than a new sign.
Yes. We work with customers all over the world, and shipping is included free to just about anywhere. If your location is unusual, ask — the answer is almost always yes.
Yes. If you're outfitting multiple locations or a whole venue, send your requirements through the quote form and we'll put together pricing that reflects the size of the project. You can also build a bundle with Mix Match & Save.
Same eight patterns, plus a prism that multiplies each one into repeated, mirrored projections. Both prism lenses are included free. It's built for atmosphere rather than legibility — beautiful on a ceiling or a large wall, and the wrong choice for a sponsor's logo, because the prism repeats and skews the artwork by design.
Yes, and plenty of customers do. The IP65 rating means it survives outdoors; it doesn't restrict it to outdoors. Atriums, warehouses, lobbies and event spaces are all common.
The premise is that surfaces are inventory. A wall, a floor, a facade — you already own them, they already sit empty, and eight messages can run across them from one fixture. A printed sign says one thing until somebody pays to replace it. Light says eight, changes itself, and costs nothing to rewrite. Businesses that understand this stop buying signage and start programming space. Join The Projection Revolution ∞
Typically 1–2 weeks, including your custom gobos. If you have a date to hit, tell us and we'll confirm it before you order.
Source: Infinity Projectors manufacturer specification sheet. Recommended daily duty cycle is not separately spec\'d by the manufacturer for this line — the LED engine is rated for continuous operation over its listed life.
A multi-lens projector allows you to load multiple gobo slides at once (4, 6, or 8), so you can rotate between different logos or messages without needing to take the projector down each time.
Use them when you want to tell a story, rotate between seasonal promotions, or alternate between logos and taglines. They are also effective in retail and hospitality where frequent updates keep the experience fresh.
Walls and floors are most popular. Multi-lens units are often used in retail stores, lobbies, and event venues where constant variety is important.
Yes, depending on the model. Some multi-lens projectors support lens upgrades such as 1:0.4, 1:0.65, or 1:1 ratios. Check the product page for details on compatibility.
Yes. Projectors are popular for weddings, projecting monograms or romantic designs. Multi-lens units can rotate between multiple wedding logos or themes.
Accessories include upgraded cords, extra remotes, mounting hardware, and protective enclosures for outdoor setups.
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