Four designs loaded at once, and they turn. The projector shows the first design, rotates it slowly on the surface, then moves to the next and rotates that one, and on through the set — continuous motion from a single unit. You can also press 1, 2, 3 or 4 on the remote to hold one design, and the remote sets the rotation speed, from a slow drift to something livelier. From $668.88, in fourteen wattages from 35W to 700W, IP65 rated for permanent outdoor use.
This is the spin model. Movement is what it's for — and movement is what makes people look up. If you need your designs to sit perfectly still and land straight every time, that's a different machine, the 4-Gobo Static, and the section below explains exactly which one you want.
There is nothing to build, nothing to mount permanently, and no print bill waiting the next time the season turns. Just four pieces of your brand in light, on a surface you already own. Join The Projection Revolution ∞
A room that never sits still. Four patterns turning across a dance floor, a ceiling, a patio or a plaza, cycling on their own all night. One projector doing the work of a lighting rig, and nobody operating it.
A season loaded at once. Snowflakes in December, hearts in February, leaves in October, a house pattern the rest of the year — all four in the unit, changing on schedule without anyone climbing a ladder.
Atmosphere, not signage. This is the model venues buy. If what you need is a logo that reads cleanly, read the next section first — we'd rather point you at the static model than sell you the wrong one.
These are two separate projectors, not two settings. 4 Gobo Spin (this one) and 4 Gobo Static are built differently, and the one you order is the one you keep — each is built as one or the other.
Each pattern turns slowly while it is on the wall, then the projector moves to the next. The remote sets how fast, from a set of preset speeds — a barely-there drift for a hotel frontage, something livelier for a party. Motion is what makes people look twice at a wall they walk past every day.
Because the gobo turns as the unit advances, a pattern does not return to the position it started in. Second time round, it sits at a different angle. Snowflakes, stars, leaves and abstract artwork are unaffected — arguably improved. A logo or a wordmark will look crooked, and no setting fixes it, because the rotation is mechanical.
So if what you are projecting has words in it or belongs to a sponsor, buy the static version instead. Plenty of venues run one of each: static at the entrance carrying the brand, spin on the facade carrying the season.
Spin shows the first logo, the logo rotates, then it advances to the next one, which also rotates, and on through the set.
Here's the part you need to know: because each gobo is turning as the unit advances, a logo does not come back around in the same position. The second time you see it, it's sitting at a different angle — not straight. There's no way around that; it's how the mechanism works. On spin models the remote also lets you change the rotation speed, from a slow drift to something livelier.
So spin is genuinely great for scenic and holiday content — festival themes, snowflakes, seasonal patterns, decorative artwork where "straight" doesn't mean anything and the movement is the effect. For sponsorship logos and everyday business logos, go static. We'd rather tell you that now than have you unhappy with a crooked logo later.
The projector shows logo 1 still, changes smoothly to logo 2 still, then 3, then 4, and back around. Each design is stationary the whole time it's on the wall, and the change between them is clean. Because nothing rotates, every logo comes back in exactly the same position — straight, square and right way up, every single cycle.
That's what you want for a sponsor mark, a company logo, anything with type in it, anything that has to look deliberate rather than decorative. This is the mode most businesses buy, and it's the model you're looking at now.
And to say it once more, because it's the part people get wrong: this spin projector always rotates, and it holds no design perfectly still. Rotation is what the machine does. If your designs are brand marks that need to land straight and identical every cycle, buy the 4-Gobo Static instead — it costs less, and it's the right tool for a logo.
There's a simple formula behind it:
Projection distance × lens size = projection size
In plain terms: the 0.33 lens makes a 3.3-foot image from 10 feet away. Multiply the lens number by your distance and that's your image width. This model ships with the 1:0.33 as its standard lens.
The part most people miss: a wider lens doesn't add light, it spreads the same light over more area. So a bigger projection normally needs a step up in wattage to stay sharp. Lens and wattage get picked together — run the Wattage Finder and it sizes both at once, then we'll sanity-check it with you. The lens guide covers each lens in detail.
One lens covers the wall you bought it for.
Add another if the same projector will work more than one room or more than one season. Decorative installs move around far more than logo installs do — a bar patterns the ceiling in December and the terrace in June, and those two surfaces are rarely the same distance away. A spare lens means the same unit covers both instead of you buying a second one. See what each lens gives you at your distances in the lens guide.
Rotation makes a poor angle more obvious, not less — a pattern turning inside a stretched frame sends the eye straight to the distortion. Keep the projector inside roughly 30 degrees of perpendicular and the rotation stays circular. Beyond that it sweeps through an oval and reads as a wobble. If the mounting point is fixed and the angle is what it is, keystone correction pulls it back to square.
Wattage buys you contrast against the light already on the surface — not image size, which the lens controls. Decorative projection is a little more forgiving here than logo work, because a soft, drifting pattern still reads when it is not blazing. But only a little: wash the wall with a floodlight and the pattern disappears just the same.
A tip that saves money: turn off or redirect the nearest floodlight and you can often drop a whole wattage tier. The Wattage Finder will size it for you either way.
All four full-color gobos are included free, made from whatever artwork you send. Nobody buys a spin projector and then discovers the patterns cost extra — the set comes with it.
A gobo is the small glass disc that carries your design, and this projector holds four at once. They're full color, made from your artwork — your logo in your actual colors, not a one-color stencil.
Gobo size is not the same across the range, and it matters when you reorder:
Tell us the wattage you own and we'll make the right size — you never have to work it out yourself. Order more gobos any time and swap the set whenever the message changes. That's the real difference between a projector and a sign: four messages live at once, and a completely different four next season, from the same hardware.
Spin artwork behaves differently from a logo, and it is worth choosing with that in mind: radial and symmetrical designs — snowflakes, stars, florals, spirals — look deliberate as they turn. Send us what you have and our team adapts it for rotation, then sends a proof.
The stock collection is the fastest route here, because most of it was drawn to be seen in motion. You can also compose your own in the Gobo Designer.
Decorative projection is not an American habit — European Christmas markets, Australian summer festivals, Gulf hotel terraces and Latin American town squares all run these. We ship to all of them with freight included in the price, and the projector runs on local mains power wherever it lands. Somewhere unusual? Ask — the answer is nearly always yes.
We also make the Infinity KaleidoScope range, which loads the same four, six or eight designs but adds a prism that multiplies each one into repeated, mirrored images. It's built for scenic and decorative artwork rather than brand marks — worth a look if atmosphere is what you're after. See the KaleidoScope range.
Four designs is the most popular configuration, but it isn't the only one. Two questions decide which unit you want: how many designs do you need loaded at once, and do they need to land straight (static) or is this decorative motion (spin)? Remember that static and spin are separate machines — you pick one at purchase and it stays that way, so it's worth getting right.
The full lineup is on the multi-gobo projectors page. Need serious reach as well as rotation? The multi-gobo range goes all the way up to 1500W, including a 1500W four-lens machine, so you never trade distance for the ability to change the image — see the high-wattage range.
If you only ever need one design at a time, the single-lens PowerPrince and Titan cost less. For moving effects rather than logos, see the special-effect range.
Rental houses and production companies tend to buy these in batches, because one projector rarely covers a venue. If that is you, tell us the quantity and the kind of work it is for through the quote form — fleet pricing is a different conversation from a single unit, and we are glad to have it.
For a handful rather than a fleet, Mix Match & Save bundles projectors, gobos and lenses and reduces the price as you build, alongside the ready-made packages.
Pick the wattage from how bright the surroundings are, the lens from how large you want the pattern, and send four pieces of artwork — ours or yours. Rotation speed is set on the remote afterwards, so that is not a purchase decision.
Rotating patterns work best as a set that belongs together rather than four unrelated images. Think of it the way a lighting designer would — a mood, not a slideshow.
Stand in the room and watch a full cycle before you decide the order. It changes what you pick.
Yes. Every unit is manufactured with a wide-voltage input of 110–240V AC, so it runs on standard US 120V mains straight out of the box — and on 220–240V anywhere else in the world without a converter. If you have seen figures like 24–36V or 165–265V on a spec sheet, those describe the driver's internal DC output, not the voltage at your wall.
The projector cycles through all four on its own, rotating each design while it is up. You can also press 1, 2, 3 or 4 on the included remote to hold one design, and the remote sets the rotation speed so you can run it as a slow drift or something livelier. Most venues leave it cycling and only intervene for a specific night.
All four, free. The full set of custom full-color gobos is included, made from your artwork. Six comes with a 6-gobo unit, eight with an 8-gobo, and two with any single-lens projector. Order more any time when the season changes.
Spin — this unit — turns each projection while it's showing. Static holds them still. The trade is honest: rotation looks alive, but a logo returns at a different angle every cycle rather than upright. Scenic artwork wants spin. Anything with words wants static.
You can hold one design on screen with the remote, but it will still rotate — a spin projector always keeps turning. Spin and static are two different machines, not two settings. If you need a design to sit still and land straight every time, order the 4-Gobo Static; it costs less and it is the right tool for a logo.
Usually not, and we would rather tell you now. Because each design rotates, a logo does not come back around in the same position — the second time you see it, it sits at a different angle. That is invisible on a snowflake and obvious on a company mark with type in it. Spin is for scenic and decorative artwork. For a brand mark, buy the 4-Gobo Static.
Yes. The included remote sets the rotation speed, so the same unit can run as a slow, barely-there drift in a lobby or something much livelier over a dance floor. It is the setting most customers adjust after the first night.
It depends on the wattage. The 35W–160W models take 37.0 mm gobos; the 200W–700W models take 54.0 mm. Tell us which wattage you own when you reorder and we'll make the right size — you don't need to measure anything.
Distance and lens set it together: projection distance × lens size = projection size. The standard 0.33 lens makes a 3.3-foot image from 10 feet away, about 6.6 ft from 20 ft, and about 16.5 ft from 50 ft. A 0.5 lens from those same spots gives you 5 ft, 10 ft and 25 ft. A wider lens spreads the same light over more area, so a bigger projection normally needs more wattage to stay sharp — the Wattage Finder sizes both together.
It comes down to how far back the projector sits, how big the image needs to be, and how much light is already on the surface. The darker the setting the less wattage you need — and the more the projection pops. This model runs 35W to 700W, so there's plenty of room to get it wrong in both directions. Run the Wattage Finder and we'll sanity-check the result with you before you order.
Yes. Multi-unit orders, multi-site rollouts and ongoing programs are quoted directly rather than at list price. The quickest way to see it is Mix, Match & Save — add projectors, lenses, gobos and accessories in whatever combination you want and the price drops as the build grows. For anything larger or more involved, send a custom quote request through contact us with the unit count, the locations and what you're projecting, and we'll come back with pricing plus the wattage and lens spec per location. We work with a lot of customers on repeat and long-term projects and the pricing reflects that.
Yes — that's what Mix, Match & Save is for. Put a 4-gobo static on the storefront, a spin unit on the patio, extra lenses and a stack of custom gobos in the same build, and the pricing improves as you add. If you'd rather start from something ready-made, the projector packages bundle common setups.
Yes — we work with customers all over the world, and shipping is free to just about anywhere. Every unit runs on 110–240V AC, 50/60 Hz, so it works on US 120V and on 220–240V without a converter. Tell us the country and we'll send the right plug, and we'll quote distances in feet or meters, whichever you work in.
Yes, at every wattage. IP65 and aluminum-bodied, so rain, snow and summer heat are all routine. Seasonal installs in particular benefit: you can leave it mounted year-round and simply change what it projects.
Yes, and ceilings indoors are one of the best uses for spin. Ballrooms, bars and restaurants run rotating patterns overhead where nobody would think to hang anything.
Inside roughly 30 degrees of perpendicular, so the rotation stays circular rather than sweeping through an oval. Keystone correction covers fixed mounting points.
No. Send whatever you have; our team adapts it for rotation, which is a slightly different job from preparing a static logo, and you see a proof before anything is made.
Four is the usual starting point for decorative work — enough variety that a cycle doesn't feel repetitive. Six and eight are for venues running a whole season unattended. Note that six exists only as a static unit, so if you want six rotating patterns the answer is eight.
The KaleidoScope adds a prism that multiplies each design into repeated, mirrored images — built for scenic and decorative artwork rather than logos. This projector is the one for brand marks.
Every unit ships with one. It picks a gobo directly, starts the cycle, and sets the rotation speed from a set of preset speeds. Tell us your wattage and we'll confirm the exact layout.
Around 1–2 weeks including your proof, and the gobos ship with the projector rather than after it. Stock designs are quicker if you're up against a date.
Your own building, your own decision. Someone else's needs their agreement, and decorative projection over a public space occasionally falls under local lighting rules — worth a call to the council for a town-center install.
It's the argument that a business shouldn't have to choose between looking professional and looking alive. Print manages neither cheaply. A rotating projection does both, and changes with the season.
Watch what happens on a street when one frontage is moving and the rest are not — that is the entire case, and it takes about four seconds to make. Once a plain wall becomes the thing people photograph on their way in, "where do we hang a sign" stops being an interesting question. Join The Projection Revolution ∞
Source: Infinity Projectors manufacturer specification sheet. Recommended daily duty cycle is not separately spec\'d by the manufacturer for this line — the LED engine is rated for continuous operation over its listed life.
A multi-lens projector allows you to load multiple gobo slides at once (4, 6, or 8), so you can rotate between different logos or messages without needing to take the projector down each time.
Use them when you want to tell a story, rotate between seasonal promotions, or alternate between logos and taglines. They are also effective in retail and hospitality where frequent updates keep the experience fresh.
Walls and floors are most popular. Multi-lens units are often used in retail stores, lobbies, and event venues where constant variety is important.
Yes, depending on the model. Some multi-lens projectors support lens upgrades such as 1:0.4, 1:0.65, or 1:1 ratios. Check the product page for details on compatibility.
Yes. Projectors are popular for weddings, projecting monograms or romantic designs. Multi-lens units can rotate between multiple wedding logos or themes.
Accessories include upgraded cords, extra remotes, mounting hardware, and protective enclosures for outdoor setups.
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