Eight patterns loaded at once, in one projector, running in spin mode — each projection rotates slowly while it is showing, then the projector moves to the next one. Let it cycle through all eight automatically, turning and changing on its own while nobody touches it, or use the remote to hold any one projection and set how fast it turns. From $1,228.88, in eleven wattages from 80W to 700W, IP65 rated for permanent outdoor use — and all eight full-color custom gobos are included free, made from your own artwork.
This is the one you buy for atmosphere. Snowflakes drifting across a hotel facade, stars turning over a plaza, leaves moving down a wall through autumn — motion is what makes a projection feel alive rather than printed. Eight patterns of it, changing on their own, all winter, from a fixture nobody has to touch. Join The Projection Revolution ∞
One thing to know before you order, because it decides which projector you want: since each projection rotates, it does not return to the same position. The second time a pattern comes around it sits at a different angle rather than upright. For scenic and decorative artwork that is exactly the appeal. For a logo, a wordmark or a sponsor's name it will look crooked — and for those, you want the 8 Gobo Static instead. More on that below.
A whole season of scenic artwork, loaded once. Eight patterns covers snowflakes, stars, holly, gift boxes, fireworks, autumn leaves, spring florals and a spare — set up in October and left alone until spring. Nobody climbs a ladder in December.
Festivals and holiday displays. Where a single static pattern reads as signage, eight rotating ones read as an installation. Municipalities, resorts, town centers, botanical gardens and event grounds use this to turn a plain wall into the reason people take a photo.
Where eight beats six or four. Rotation means the eye keeps returning to it, and a small pattern library gets noticed as a loop. Eight is where the sequence stops feeling like a sequence and starts feeling like weather.
The 8-gobo comes as two separate projectors: 8 Gobo Spin (this one) and 8 Gobo Static. This is the single most important decision on this page, because it is not a mode you toggle — it is how the machine is built. You pick one at purchase and it stays that way. Choosing wrong means buying the other projector.
This projector shows a pattern, rotates it slowly, then moves to the next one. The remote sets the rotation speed from a set of preset speeds — a slow drift for a hotel facade, something livelier for a festival. It is genuinely beautiful on scenic artwork, and it is the reason people stop and look at a wall they have walked past a hundred times.
This is the one you want for snowflakes, stars, leaves, florals, fireworks, abstract holiday patterns and festival art — anything where the motion is the point and there is no text to read.
Here is what nobody tells you: because each projection is rotating, it does not come back around to the same place. The second time a pattern appears it is sitting at a different angle — not straight. For a snowflake that is fine, and arguably better. For a sponsor's logo it looks like a mistake, and you will hear about it.
So: scenic and decorative → this projector. Logos, sponsors and anything with words → the 8 Gobo Static. If you are not sure, buy static — it is the safe choice, and it is what most of our customers order. Plenty of venues run one of each: static on the entrance carrying the brand, spin on the facade carrying the season.
One more thing worth stating plainly, because it comes up constantly: these are two different machines, not two settings. A static unit holds every design still, and a spin unit keeps turning; neither behaves as the other. You choose at purchase and it stays that way.
This is the easiest math in the whole category, and it is worth learning because it decides which lens you order. Multiply the lens number by your distance and that is your image width.
The 0.33 lens makes a 3.3-foot image from 10 feet away. The same lens makes a 33-foot image from 100 feet away. That's all there is to it.
This model ships with the 1:0.25 as its standard lens — a tighter, brighter default that suits the longer distances most eight-slot installs run at. (In the industry this is written as a throw ratio, "4.0:1"; the multiplier above is the same fact, stated in a way you can actually use.)
Working backwards is just as easy: distance = image width ÷ lens. If you want a 20-foot logo and you have the standard 0.25 lens, mount it 80 feet back.
One is enough for a facade you are mounting on and leaving alone.
More than one is worth it the moment the projector travels. Seasonal installations rarely stay put — the same eight patterns run across a hotel frontage in December, a ballroom ceiling in February and a terrace in summer, at three completely different distances. Extra lenses cost a fraction of extra projectors and take a minute to change. The lens guide matches each lens to a distance.
A rotating projection is only as circular as its mounting angle. Inside about 30 degrees of perpendicular the pattern turns cleanly; beyond that it sweeps through an oval and the motion reads as a wobble rather than a rotation. On facades and ceilings, backing the projector further away almost always beats tilting it further. keystone correction handles the rest.
Size comes from the lens. Wattage comes from the wall — specifically, how much light is already hitting it when your patterns are running.
Holiday installs have a particular trap: the surrounding lighting changes for the season too. Festive string lighting, a lit tree, extra floodlighting on a town square all raise the floor your projection has to clear. Specify for December, not for the quiet October evening you surveyed on.
The Wattage Finder sizes it properly, and if you are lighting a large or unusual site, send us the details and we will work through it with you.
Every one of these projectors ships with all eight custom full-color gobos included free, made from your own artwork. You are not buying an empty projector and then paying to fill the slots. Order more whenever the message changes.
The gobo itself is a small glass disc carrying your artwork, and its size depends on the wattage you order — this catches people out when they reorder, so it is worth knowing which one you have:
If you are ever unsure, tell us the model number on the fixture and we will confirm it before you order anything.
Think of this as programming a season rather than ordering artwork. Snowflakes, stars, bells, leaves, fireworks — the stock collection was drawn for exactly this, and it is where most customers start. Anything of your own gets adapted for rotation by our team at no cost, with a proof to approve.
The Gobo Designer is there if you want to compose something specific to your venue.
Winter arrives on the same schedule in a lot of countries, and we ship into all of them — European town centers, Canadian main streets, Japanese illumination events, Southern Hemisphere summer festivals running the opposite calendar. Shipping is included anywhere we serve. Order early for a holiday season; freight, not production, is what usually decides whether you make the date.
We also make the Infinity KaleidoScope range, which loads the same four, six or eight patterns but adds a prism that multiplies each one into repeated, mirrored projections. It's built for atmosphere rather than legibility — beautiful across a ceiling or a large wall, and the wrong tool for a sponsor's logo, because the prism repeats and skews the artwork by design. Both prism lenses are included free. See the multi-gobo range if that sounds closer to what you want.
Eight is the largest configuration we make, but it isn't the only one. Two questions decide which unit you want: how many projections do you need loaded at once, and do they need to land straight (static) or is this decorative motion (spin)? Remember that static and spin are separate machines — you pick one at purchase and it stays that way.
We also build dual lens units, and single-lens projectors all the way up to 1500W, including a 1500W four-lens machine, so you never trade distance for the number of patterns. If you need real reach, look at the Infinity Titan.
Holiday installations are almost never a single projector — a town center or a resort frontage usually needs several projecting across different surfaces. Send the scope through the quote form with your dates, and we will price the program and confirm production time against your switch- on. Larger orders get project pricing, and the earlier we see them the better.
For a few units rather than a program, Mix Match & Save combines projectors, gobos and lenses at a progressively better price.
Eleven wattages and five lens options. Match the wattage to the light already on the surface and the lens to the size you want, then choose eight patterns — stock, your own, or a mix.
Most people load eight versions of one pattern and stop there. The installations that people photograph use the eight slots to build something that changes across a whole season:
Walk the property after dark and look at the surface nobody uses — then imagine it moving. That is usually the moment people stop thinking about signage and start thinking about atmosphere.
Yes. Every unit is manufactured with a wide-voltage input of 110–240V AC, so it runs on standard US 120V mains straight out of the box — and on 220–240V anywhere else in the world without a converter. If you have seen figures like 24–36V or 165–265V on a spec sheet, those describe the driver's internal DC output, not the voltage at your wall.
Two ways, and you can use both. Let it cycle through all eight automatically, each one rotating while it shows, changing on its own with nobody touching it. Or press 1 through 8 on the included remote to hold one specific projection for as long as you like. The remote also sets the rotation speed from a set of preset speeds.
All eight, free. Every multi-gobo projector ships with a full set of custom full-color gobos made from your own artwork — four with a 4-gobo unit, six with a 6-gobo, eight with this one. You are not buying an empty projector and then paying to fill the slots. Order more any time when the message changes.
Static holds each projection still and lands it straight every cycle. Spin rotates each projection while it's showing, which looks beautiful on scenic artwork but means a logo comes back around at a different angle rather than upright. Static for logos, sponsors and anything with text; spin for decorative and holiday work.
No. Static and spin are separate machines, not two settings on the same one. You can hold a single pattern from the remote, but it will still be rotating — and the next time it comes around it will sit at a different angle. If you need every projection to land upright, order the 8 Gobo Static instead.
For decorative work the question is really how long you want to go without touching it. Four gets you through an event, six through a season, eight through a year. And since six is static only, eight is the largest rotating set we make.
Multiply the lens number by the distance. The standard 1:0.25 lens gives a 2.5-foot image from 10 feet, 12.5 feet from 50 feet, and 25 feet from 100 feet. To work backwards, divide the width you want by the lens number to get the distance. Rotation happens within that circle — it doesn't make the projection larger.
Start from the size you want and the distance you have. Most eight-slot installs run long distances, which is why 1:0.25 is standard here. If you need a much larger image from the same spot, go to 0.33 or 0.65. Run it through the Wattage Finder or send us the numbers and we'll confirm it.
It depends on how much light is already on the surface, not on the image size. Dim and close: 80–150W. Typical lit exterior: 160–300W. Bright competing light or a large projection: 400–700W. The Wattage Finder answers this properly in about a minute.
Yes — and this is the one most people ask about, because holiday installs live outdoors through the worst months of the year. IP65 at every wattage, aluminum housing, no seasonal takedown needed.
−20°C to 60°C (−4°F to 140°F). That covers hard winters and hot industrial interiors alike.
37 mm on 80W through 160W, and 54 mm on 200W through 700W. It's the most common reorder mistake, so tell us your model number and we'll confirm before anything is made.
No. Send a logo file, a photo of a sign, or a business card — our team prepares it for projection at no extra cost and you approve a proof before anything is made.
Yes. Order new gobos any time and swap them in. That's the whole point of the format — the fixture stays, the artwork changes with the season.
30,000 hours. Run six hours a night, that's over thirteen years.
Distance is set by the wattage and the light in the area, not by a hard limit. Higher wattages carry much further. Stay within about 30 degrees of perpendicular to keep the projection square, and mount further back rather than steeper on tall walls.
Yes, every unit includes one. It selects gobos 1 through 8 directly, starts the auto-cycle, and sets the rotation speed from a set of preset speeds. Ask us for the current button layout on the wattage you're ordering — it varies across the range.
We'd steer you to the 8 Gobo Static for that. Because every projection rotates, a sponsor's logo comes back around at an angle rather than upright, and it reads as a fault rather than a feature. Keep this projector for scenic and decorative artwork. Plenty of venues run one of each.
Yes. We work with customers all over the world, and shipping is included free to just about anywhere. If your location is unusual, ask — the answer is almost always yes.
Yes. If you're outfitting multiple locations or a whole venue, send your requirements through the quote form and we'll put together pricing that reflects the size of the project. You can also build a bundle with Mix Match & Save.
Same eight patterns, plus a prism that multiplies each one into repeated, mirrored projections. Both prism lenses are included free. It's built for atmosphere rather than legibility — beautiful on a ceiling or a large wall, and the wrong choice for a sponsor's logo, because the prism repeats and skews the artwork by design.
Yes — ballroom and lobby ceilings are among the most striking places to run eight rotating patterns, because people look up and the whole room changes.
It's the difference between decorating a place and changing it. Static signage sits there. Light moves, and people react to movement in a way they never react to a printed panel. Eight rotating patterns make a building behave differently at nine in the evening than it did at six. That isn't advertising — it's atmosphere, and it's why people stop and take a photograph. Join The Projection Revolution ∞
Typically 1–2 weeks, including your custom gobos. If you have a date to hit, tell us and we'll confirm it before you order.
Source: Infinity Projectors manufacturer specification sheet. Recommended daily duty cycle is not separately spec\'d by the manufacturer for this line — the LED engine is rated for continuous operation over its listed life.
A multi-lens projector allows you to load multiple gobo slides at once (4, 6, or 8), so you can rotate between different logos or messages without needing to take the projector down each time.
Use them when you want to tell a story, rotate between seasonal promotions, or alternate between logos and taglines. They are also effective in retail and hospitality where frequent updates keep the experience fresh.
Walls and floors are most popular. Multi-lens units are often used in retail stores, lobbies, and event venues where constant variety is important.
Yes, depending on the model. Some multi-lens projectors support lens upgrades such as 1:0.4, 1:0.65, or 1:1 ratios. Check the product page for details on compatibility.
Yes. Projectors are popular for weddings, projecting monograms or romantic designs. Multi-lens units can rotate between multiple wedding logos or themes.
Accessories include upgraded cords, extra remotes, mounting hardware, and protective enclosures for outdoor setups.
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